Giuseppe Mastromatteo's work has always provoked and enthralled his audience.
With seemingly seamless continuity to his 2011 project, ‘Indepensense’, ‘Indepensense 2012’ sustains the same questioning messages that arise from the having to confront apparent racial and cultural norms, through his powerful photographs.
Featuring artful nude bodies that mesh and intertwine oddly; faces and bodies that bear unnaturally uninterrupted skin gradations from white to black, the viewer is inclined to both admire the beauty and the fearsomeness of the work.
Truth and distortion, for your perusal:
[via Coolhunting.com, images via Giuseppe Mastromatteo]