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Korean filmmaker Kogonada’s latest project is a supercut of director Wes Anderson’s shots that highlights how they are deliberately split perfectly down the middle, one of his classic visual aesthetics.
The auteur has always been heavily involved in the entire mise-en-scène, which often consist of specifically constructed sets and the harmony of light and color.
Check out the video and images below.
Korean filmmaker Kogonada’s latest project is a supercut of director Wes Anderson’s shots that highlights how they are deliberately split perfectly down the middle, one of his classic visual aesthetics.
The auteur has always been heavily involved in the entire mise-en-scène, which often consist of specifically constructed sets and the harmony of light and color.
Check out the video and images below.